Buenos Aires’ lovely Jardin Japonés
There are so many beautiful, themed gardens in Buenos Aires I’ve almost lost count. But, there’s one little gem that stands out from all the others. Located in the city’s Palermo neighborhood, it’s the zen-like Jardín Japonés. Think acres of green foliage, a shimmering lake spanned by lipstick red bridges and colorful schools of koi, and you’ve got the picture.
We stumbled upon the Jardín Japonés on a sizzling hot day when many of the other public gardens were closed. Spying some Asian-style buildings amidst the trees in the distance, we made a beeline across a park towards the sloped-roofed structures. Along the way, we passed an assortment of cheerful dogs and professional dog walkers.
A professional dog walker (paseaperro) in Plaza Allemania
Located behind a tall wall and bordered on all sides by traffic-congested avenues, the Jardín Japonés is a quiet oasis in the heart of a boisterous city. Originally given as a gift to Buenos Aires from the Association of Japanese Immigrants, it was constructed in 1967 to celebrate the visit to Argentina by Japan’s Prince Akihito and his wife in May of that year. The future royals’ visit was a big deal for Buenos Aires and the garden was to receive other similar official visits over the next decades.
Entrance to the Jardín Japonés
Today’s 6-acre garden, however, is mainly the work of a Japanese born landscape architect named Yasuo Inomata. The city of Buenos Aires hired Inomata in the mid 70’s to redesign and enlarge the Jardín Japonés to look more like a traditional Japanese garden. Inomata modeled his design after a zen garden, focusing heavily on the critical elements of harmony and equilibrium. The renovation, which was completed in 1979, has since become a bridge for the city’s residents and its visitors to understanding the Japanese culture.
The first thing you notice when you enter the Jardín Japonés is a large artificial lake spanned by three traditional-style Japanese bridges. Painted a deep red, the bridges each take different forms and carry different symbolic meanings. The largest of the three is the Puente Okayama, also known as Puente Zig Zag Okayama. The flat bridge skims just above the water and meanders back and forth across the northern end of the lake.
Puente Okayama (the zig zag bridge)
The second bridge, called Puente Yamagata, takes the traditional arced form. Also painted red, it is a standout in the middle of the lake. (Also perpetually clogged with tourists, so a clean photo is pretty much out of the question.)
The third bridge, el Puente Plan Ibaraki, is made from rough-hewn planks in a burnished red. The site plan shows it spanning a small cove at the opposite end of the lake. During our visit, however, we observed only two piers facing each other across the water. I loved how the open space between the two piers raised questions as to whether they were meant to connect or simply observe each other. It made for a memorable spot in the garden.
Puente Plan Ibaraki
At the far end of the park is a large Japanese building housing a restaurant, library and cultural center. There is also a traditional-style Japanese tea house. But what really caught my eye was this checkerboard lawn to the right. Crafted from bright white paving stones and lime green grass, it made me feel like we had popped in on Alice in Wonderland.
Directly behind the checkerboard lawn and adjacent to the center is a shop selling traditional Japanese plants such as bonsai, orchids and azaleas as well as other native flowering plants.
And on the other side of the tea house is a rose garden.
A big draw for children is the giant koi and carp that live and feed in the garden. They swim in colorful groups along the fringes of the lake and under the bridges where visitors are encouraged to feed them. Their open mouths can be seen just above the surface.
We stopped for a fruit smoothie at the Salon Mie next to a large bell dedicated to immigrants. Its big gong-like sound resonated across the park and sent powerful ripples through our bodies. It was the perfect accompaniment to the next small patio, the Patio Hiroshima, which displays three numbered trees that are descendants of larger trees that survived the bombing of Hiroshima.
The sign reads that the surviving trees were located within a 2000 meter radius of the center of Hiroshima and that the city has registered 170 trees ‘a-bombardeados’ for which they have been given a plaque and a special name. That name is:
HIBAKUJYUMOKU (TREE SURVIVING THE ATOMIC BOMB)
In addition to these highly symbolic areas, the garden boasts more than 150 species of trees and a huge variety of plants representing a combination of Japanese and native Argentinian species. There are acres of white and pink azaleas, Japanese Matsumae-fuki cherry trees. mugo pines, magnolias and Japanese maples as well as native oaks, cedars, tipas and Pal Borracho trees. There are also beautiful mini waterfalls.
And carefully composed arrangements of stones.
The many different elements appear to have happened there naturally, although in the architect’s own words, this is a deliberate misconception.
Japanese gardens that I create express an element of Buddhism called gokuraku (pure land). In these gardens, the trees and flowers are not arranged in a structured manner so that they can imitate what is found in nature [ ]. At first glance, they may appear disorganized, but in reality they follow an order.
Unlike most other public gardens in Buenos Aires, the Jardín Japonés costs money, with all proceeds going to its maintenance, which is administered by the Fundación Cultural Argentino Japonesa. The garden is also home to festivals and other cultural activities promoting Japanese culture within the city.
For more information on the garden, its location, hours and scheduled activities click here for the official website.
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